Jul 2, 2015 - ‘The Moon’ was created in 1928 by Tarsila do Amaral in Naïve Art (Primitivism) style. It’s very, very rich in its ambiguity. I don’t think she represents this idea very directly in this painting, but it talked about how Brazilian art is both part of and sets itself as distinct from Western European modernism. The Brazilian artist’s 1928 “moonscape” expands our understanding of the world of art. An Angler • 1925. By visiting our website or transacting with us, you agree to this. In São Paulo we have "few green", just in parks and some neighbourhoods. Leah Dickerman: Could you tell me how you began thinking about Tarsila do Amaral and acquiring her work? Obra: Manacá Artista: Tarsila do Amaral Trabalho de Artes ETEC Elias Nechar Prof. Therese Our site uses technology that is not supported by your browser, so it may not work correctly. In 1928, Brazilian artist Tarsila do Amaral premiered the painting A Lua (The Moon) in Paris. And a … Paisagem, 1948. And the transatlantic nature of Tarsila’s practice and the way in which she combined a vocabulary that spoke to a Brazilian countryside or that sort of cultural background at the same time that it 100% talked about Picasso or Brancusi or Léger. Tarsila do Amaral We use our own and third-party cookies to personalize your experience and the promotions you see. We knew that this would make us the first museum in North America to have a painting by Tarsila, so we got on a plane and went down to São Paulo to look at it. The Moon. The Museum of Modern Art (MoMA) Collection The Museum of Modern Art (MoMA) Collection Now let us move on to “A Lua” (The Moon, 1928), which was sold to the MoMA weeks before the opening of the current MASP retrospective, and could not make it for the show. She was the strong woman who lived life on her own terms and conditions. Find more prominent pieces of genre painting at Wikiart.org – best visual art database. Tarsila do Amaral. Tarsila was really a border-crossing figure. Amaral first showed *A Lua (The Moon)* in Paris, soon after she painted it in 1928. She is considered one of the leading Latin American modernist artists, and is regarded as the painter who best achieved Brazilian aspirations for nationalistic expression in a modern style. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). By visiting our website or transacting with us, you agree to this. In the 1920s, do Amaral frequently traveled between São Paulo, her native city, and Paris. She was the daughter of José Estanislau do Amaral and Lydia Dias de Aguiar do Amaral. Find more prominent pieces of landscape at Wikiart.org – best visual art database. Museu de Arte Moderna (MAM Rio) Tarsila do Amaral. “I want to be the painter of my country." As the moon goes through its waxing phase, we thought you might enjoy having a look at this lovely moonlight scene, ‘A Lua’ (The Moon) by Brazilian modernist legend Tarsila do Amaral. Even today her work is remarkable. Tarsila do Amaral, better known to the world as Tarsila, was a Brazilian artist who gave Latin American art a new direction. Tarsila do Amaral Famous works. We’re not reinventing history; we’re recovering a history that had been suppressed. With this acquisition, the Museum welcomes into the collection its first painting by Brazil’s most important early modernist. This was the first retrospective of Tarsila’s work in the United States, even though, in Brazil, she is a renowned and much beloved figure—well-known there simply as “Tarsila.”. A Lua (The Moon). Last spring, our #TarsilaMoMA exhibition explored the work of Tarsila do Amaral, a beloved trailblazer at the heart of the invention of modern art in Brazil. Tarsila do Amaral's The Moon (A Lua) (1928) is one recent acquisition at the museum. Xul Solar. She was a member of the Grupo dos Cinco (Group of Five), which included Anita Malfatti, Menotti Del Picchia, Mário de Andrade, and Oswald de Andrade. Find more works of this artist at Wikiart.org – best visual art database. Tarsila’s father was a wealthy landowner, and she spent her childhood on her father’s farms. Museu de Arte Moderna de São Paulo (MAM) Related works. More information is also available about the film collection and the Circulating Film and Video Library. Paisagem, 1948. The moon by Tarsila do Amaral (1928) quantity. By Kamy. [2] Photo courtesy Timothy A. Clary/AFP/Getty Images. 1928. Quite a few people have mentioned its parallels to Georgia O’Keeffe, who’s working in the Southwest United States at that time. Nature and Humanity are together in her work: foot, land, coconut trees in the city, green, sky, cities, more green. She was born in an affluent family of coffee growers and landowners. ‘The Moon’ was created in 1928 by Tarsila do Amaral in Naïve Art (Primitivism) style. She took part in Modernism Movement in Brazil, in 20`s. Get the best of Magazine in your inbox monthly. It wasn’t to be a modern Parisian artist or to be the painter of Brazil. By visiting our website or transacting with us, you agree to this. What would you like a visitor to see in this work? Cielo, 1919. Tarsila do Amaral, also known simply as Tarsila, is considered to be one of the leading Latin American modernist artists, described as "the Brazilian painter who best achieved Brazilian aspirations for nationalistic expression in a modern style." Find more prominent pieces of landscape at Wikiart.org – best visual art database. O Vendedor de frutas, 1925. O Vendedor de frutas, 1925. Tarsila de Aguiar do Amaral (Portuguese pronunciation: [taɾˈsilɐ du ɐmaˈɾaw]; September 1, 1886 – January 17, 1973) was a Brazilian painter, draftswoman and translator. Yes, it is. I like Tarsila do Amaral´s paintings very much. Whether it was her work or her personal life — she always overcame limitations to follow her heart. See more ideas about Latin american art, Naive art, American art. Today we welcome her work to #MoMACollection—”A Lua (The Moon)” (1928) is the first painting by Tarsila in the collection of a North American museum. Tarsila do Amaral, Caipirinha (1923) Bolsa del Arte / dpa. What kind of voice does she provide? Pinacoteca do Estado de São Paulo . Elle réalise des toiles colorées porposant une vision personnolle de sa ville, São Paulo, ainsi que de l'héritage culturel de son pays. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Visually, stylistically, that feels so today to us. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. We have identified these works in the following photos from our exhibition history. Painted in 1928, it shows a cactus that resembles a human figure standing by a stream of water and facing the crescent moon. MoMA Exclusive: This large square 100% silk scarf features a reproduction of The Moon (1928) by Brazilian modernist artist Tarsila Do Amaral, a painting in MoMA’s collection. Tarsila do Amaral was born on September 1st, 1886, in the town of Capivari, in the interior of the state of São Paulo, Brazil. Tarsila’s father was a wealthy landowner, and she spent her childhood on her father’s farms. The painting marks the beginning of her synthesis of avant-garde aesthetics and Brazilian subject matter. Tarsila do Amaral’s Childhood And Early Life Tarsila do Amaral was born in Capivari, São Paulo, Brazil, on September 1, 1886. Please, A conversation about do Amaral’s landmark work, newly added to the Museum’s collection, Director of Editorial and Content Strategy, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture. 29 mars 2020 - Explorez le tableau « Do Tarsila amaral » de Floflo, auquel 104 utilisateurs de Pinterest sont abonnés. Abaporu • 1928. Tarsila do Amaral is one of those characters that remain intriguing even after death. Postcard • 1928. Explore. In this month’s New to MoMA, in which we explore a recent addition to the Museum’s collection, Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, and Leah Dickerman, Director of Editorial and Content Strategy, discuss this landmark work, its journey to MoMA, and how it expands our understanding of history and its making. She is considered one of the leading Latin American modernist artists, and is regarded as the painter who best achieved Brazilian aspirations for nationalistic expression in a modern style. The wavy curves of a rippling stream, a quarter moon, and an undulating horizon resonate, infusing Amaral’s world with dreamlike qualities. In the 1920s, do Amaral frequently traveled between São Paulo, her native city, and Paris. She was born and raised in São Paulo, Brazil, but as a young woman, decided that she needed to go to Paris to really become an artist. We use our own and third-party cookies to personalize your experience and the promotions you see. In this painting of a moonlit scene, a lonesome cactus resembling a human figure stands in the foreground, contemplatively facing the crescent moon while rooted in an elliptical stream of water—a recurring motif in do Amaral’s compositions from this period. 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